Parallèle

You can look at the portraits of the artists of La Relève III exhibited at Centre Photographique Marseille, atart-cade, Coco Velten (in partnership with La Compagnie, lieu de création) or Château de Servières.
Vous pouvez aussi lire les articles de Manifesto XXI au sujet de La Relève III,ici et ici.

Marion Siéfert is an author, director and performer. Her work is at the crossroads of different artistic and theoretical fields and is carried out through different mediums: shows, films, writing. In 2015-2016, she is invited to the Institute for Applied Theatre Studies in Gießen (Germany) as part of her doctoral studies. There she develops her first show, 2 ou 3 choses que je sais de vous, which will then be presented at the TJCC, Festival Parallèle, Festival Wet°, at the TU in Nantes, at the Vanves theatre, at the Gaîté Lyrique, among others. She collaborates on Nocturneset L’époque, creative documentaries by director Matthieu Bareyre, while being associated with the work of many companies as a performer, playwright, assistant director (L’Accord Sensible, Séverine Chavrier, Joris Lacoste, and the German collective Rimini Protokoll). She performed for Monika Gintersdorfer and Franck Edmund Yao in Les Nouveaux aristocrates, which premiered at the Wiener Festwochen 2017. Since September 2017, she has been an associated artist with La Commune - CDN d’Aubervilliers. There she created Le grand sommeil, programmed for the 2018 edition of the Festival d’Automne.
Marion Siéfert continues her work at Le Vivier through various creative and research residencies, workshops and courses.

Production :
Ziferte Productions et La Commune CDN d’Aubervilliers
Co-production :
Théâtre Olympia – CDN de Tours, Théâtre National de Bretagne – Rennes, La Rose des vents – Scène Nationale de Villeneuve d’Ascq, Festival d’Automne à Paris, CNDC Angers, L’Empreinte – scène nationale Brive-Tulle, Centre Dramatique National d’Orléans, TANDEM – Scène nationale Arras-Douai, Théâtre Nouvelle Génération – CDN de Lyon, Le Maillon – Strasbourg, Kunstencentrum Vooruit-Gand, Théâtre Sorano – Toulouse, Théâtre de Liège
Thanks :
Christine et Jean-Marie Siéfert, Vincent Dietschy, Adèle Codraro, Martine Bareyre, Julie Bareyre, Patrick Jammes, Jules Wysocki, Natnada Marchal, Aline Fischer
Support :
POROSUS, Fonds de dotation et M.A.C COSMETICS
Support for the production :
DRAC Île-de-France
Action financed by :
Région Île-de-France
Residency :
T2G – CDN de Gennevilliers, La Ménagerie de verre dans le cadre du Studiolab
Scenography made by :
Ateliers Nanterre-Amandiers (Marie Maresca, Ivan Assaël et Jérôme Chrétien)
Marion Siéfert is an associated artist of La Commune centre dramatique national d’Aubervilliers.

You can read the press review of jeanne_dark.pdf

Ndayé Kouagou is an artist based in Paris, his practice is mainly based on texts he has written. Voluntarily or involuntarily confused, he tries as best he can to bring a reflection on these three subjects: legitimacy, freedom and love. The result is … what it is. He describes his work as “quite interesting, but not that interesting or maybe not interesting at all”. He has presented his work at Auto Italia South East (London), Centrale Fies (Dro/Italy) and Lafayette Anticipation (Paris) where he also launched his publishing project YBR* (Young Black Romantics).

Coproduction:
Festival Parallèle and Triangle - Astérides centre d’art contemporain

Andrea Baglione is a visual artist and set designer, her work moves between the space of the theatre and the time of the performance and questions the status of the image through different entry points. She thinks of her practice as a field of experimentation and transformation of the visible and seeks to conceive architectures to listen and watch that are tools, prostheses, palliatives to liberate and provoke the imaginary. This can take the form of an installation, a show, a film or a performance.

Administration / Production :
Margot Guillerm
Purcell
Production :
ODETTA
Support :
HEAR – Haute École des Arts du Rhin ; Montévidéo Marseille
From If Music be the food of love of Henry Purcell

“Betty Tchomanga was born in 1989 in Charente-Maritime to a Cameroonian father and a French mother. She began her artistic training in 2004 at the Bordeaux Conservatory and with Alain Gonotey of the Lullaby Company. She then trained at the Centre National de Danse Contemporaine d’Angers (CNDC) in 2007 (direction of Emmanuelle Huynh). As a performer, she has collaborated with artists since 2009 such as Emmanuelle Huynh, Alain Buffard, Raphaëlle Delaunay, Fanny de Chaillé, Gaël Sesboüé, Éléonore Didier, Anne Collod, Herman Diephuis and Nina Santès.
In 2014, her encounter with Marlene Monteiro Freitas marks a turning point in her career as an artist. In parallel with her career, Betty will obtain a Master 2 in modern literature in 2014.
In 2016, she joined the Lola Gatt Choreographic Productions Association based in Brest as an associate choreographer with Gaël Sesboüé and Marie-Laure Caradec. The same year, she choreographed and directed the trio Madame. In 2020 she created her first solo Mascarades, which premiered at the Théâtre de Vanves and then at the DañsFabrik Festival. She is currently working on a new trio, provisionally entitled Wildfire, which is due to premiere in 2022.”

Production :
Lola Gatt
Support :
Fonds de dotation du Quartz, Scène nationale de Brest
Partners :
CDCN Le Pacifique – Grenoble, L’Atelier de Paris / CDCN, La Gare – Fabrique des arts en mouvement – Le Relecq-Kerhuon, Festival La Bécquée – Un soir à l’ouest, Le Cabaret Vauban
Sponsor :
SARL SICC Saint-André-de-Cubzac
This project has received support for creation from the City of Brest and the Ministry of Culture - DRAC de Bretagne.
The Lola Gatt Association is supported by La région de Bretagne.

You can visit Lola Gatt company’s website

Anne-Sophie Turion expresses her appetite for the living and the visual in the form of in situ interventions, performances, shows. In the black box or in the open air, she attacks reality to orchestrate it in fiction. With humour, she seizes the tricks of the theatre or the cinema and creates stories with apparent cogs and wheels: spectacular images and scenarios are constructed on sight, letting real life take over from all sides.
Her work has been presented at the CDN in Orléans, the TCI (Paris) as part of the New Settings programme of the Fondation Hermès, the Centre Pompidou, the Fondation Ricard (Paris) and the Festival Actoral (Marseille), at the Magasin CNAC (Grenoble), Kunsthal Aarhus (Denmark), Ferme du Buisson (Noisiel), Mamac (Nice), 3bisf (Aix-en-Provence), Friche la Belle de mai (Marseille), Centrale Fies (Italy).
Several of these projects are carried out with his colleague Jeanne Moynot. To carry them out, they are accompanied by Actoral, Bureau d’accompagnement.

Created for la Biennale Manifesta - Les Parallèles du Sud
Coproduction:
Roots to Routes BAL bureau et Le Bureau des guides - GR2013
With the support of :
Département des Bouches-du-Rhône

You can visit Anne-Sophie Turion’s website.

After four years of training in a dance centre in Bamako, (direction Kettly Noël), Tidiani N’Diaye was awarded first prize in 2009 at the Donkelaw Ball organised by the French Institute of Bamako and Donko Seko with his first piece Être différent.
He enters the Centre National de Danse Contemporaine d’Angers (direction Emmanuelle Huynh) in 2011 and obtains a degree in performing arts from the University of Paris VIII in 2013. He then entered the Centre National Chorégraphique de Montpellier as part of the ex.e.r.ce master’s programme (direction Mathilde Monnier), from which he graduated in 2015. Since 2010, he has been leading projects between dance and digital art.
Tidiani danced as a performer with the Gilles Jobin Company the Blonba Company, the Dagada Company or with Qudus Aderemi Onikeku.
In 2018, he creates the BAM Festival in Bamako with Arthur Eskenazi.

Production:
Copier Coller
Coproduction:
Shap Shap
Support:
Embassy of Foreign Artists - Cie Gilles Jobin

You can visit the company’s website

Simone Bertuzzi (b. 1983) and Simone Trabucchi (b. 1982) have been collaborating under the name Invernomuto since 2003. Although their work focuses mainly on moving image and sound, they integrate sculpture, performance and writing into their practice. Invernomuto explores what remains of subcultures, they deploy and examine oral cultures and local histories, drawing on their fictional and imaginary parts.
Invernomuto developed a new commission for the Liverpool Biennial 2020 and the 58th Salon-Belgrade Biennial in October 2020. Black Med was conceived in 2018 for Manifesta 12 (Palermo) and was recently part of the performance programme for the 58th Venice Biennale in 2019; Black Med is being further developed in 2020 with Fondazione Morra Greco (Naples) and Pompeii Commitment (Pompei)

You can listen to the musical selection of Invernomuto.
You can visit Invernomuto’s website.
You can listen to the podcast “Invernomuton in conversation with Barbara Casavecchia”.
You can read an ArtNews article here.
You can read a Nero Edition article here.
You can read a Pal Wine article here.
You can read an interview of Invernomuto by Ex Nunc here.

Emmanuel Eggermont trained in contemporary dance at the Centre National de Danse Contemporaine d’Angers (1999). In 2002, after three years with Carmen Werner in Madrid, he spent two years in Seoul for a project mixing pedagogy and choreography. From there, and from his collaboration of more than ten years with Raimund Hoghe, he draws his attention to “the essence”. He has been developing his choreographic projects since 2007 in Lille with L’Anthracite. With a tangible taste for plastic art and architecture, he has developed a singular style of writing, images with expressionist resonances rubbing shoulders with more performative tones and abstract dance with technical and aesthetic rigour. From 2010 to 2016, he was in research residency at L’L in Brussels. This process led to several pieces, including Vorspiel (2013). In 2014, he was invited by the SACD to participate in Sujets à Vif at the In festival in Avignon. He is also the winner of the Beaumarchais association’s writing scholarship for the solo Strange Fruit created in May 2015 at the FRAC Alsace. In 2019, Le Gymnase | CDCN de Roubaix commissioned him to create a piece for young audiences as part of the Twice programme. 2020 saw the creation of Aberration, a solo piece questioning post-traumatic reconstruction.

Production :
L’Anthracite
Coproduction :
L’L (BE), POLE-SUD CDCN, Le Vivat d’Armentières – scène conventionnée danse et théâtre, Le Gymnase, CDCN – Roubaix – Hauts-de-France, L’échangeur – CDCN Hauts-de-France, La Place de la Danse – CDCN Toulouse / Occitanie, CCN de Tours et l’Agora de la danse (QC) dans le cadre de Correspon-danses, Le Phare, CCN du Havre Normandie, La Maison CDCN Uzès Gard Occitanie, Réseau Labaye – danse en Normandie
With the help of :
DRAC Hauts-de-France, Région Hauts-de-France
Support :
Le Triangle scène conventionnée danse, CN D – Centre national de la danse
Residency :
l’OFQJ
Emmanuel Eggermont est artiste associé au Centre Chorégraphique National de Tours, direction Thomas Lebrun (2019-2021).

You can visit the company’s website.

Josèfa Ntjam (Metz, 1992) develops a transversal practice, linking video, writing, installation and photomontage. Interested in the idea of speculation around space, she has been developing for several years a work of fiction concerning possible worlds, futuribles. She also presents performative readings, with the intention of embodying writing. Her work has been shown at the Hordaland kunstsenter (Bergen, Norway), the 2019 Lyon Biennale, La Mostra de Givors, Arnolfini - Bristol’s International’s Center for Contemporary Arts (Bristol, Great Britain), GENERATORprojects (Dundee, Scotland), Bootleg with DOC! (New York, USA), Galerie Paris-Beijing (Paris), Zentrale Pratteln (Basel, Switzerland), Palais de Tokyo and Bétonsalon (Paris).

You can visit Joséfa Ntjam’s website.
You can also read the Manifesto XXI’s article about I am nameless.

Anne Lise Le Gac has been based in Marseille since spring 2014. Between 2003 and 2008, she studied at the École Supérieure des Arts Décoratifs in Strasbourg, where she practiced performance and installation. Between 2011 and 2013, she joins the Essais course at the Centre Chorégraphique d’Angers. Then Claudia Triozzi asked her to be a performer in her piece Boomerang - Le retour à soi. She accepts. Research and performances continue alone and under conversation: GRAND MAL with Élie Ortis, craftsman dressmaker, ACTION / TRADITION / COUVERCLE with Aymeric Hainaux, beatboxer performer and LE CAP with Pauline Le Boulba, doctoral student in the DANCE department of the University of Paris 8. Since 2015, and as a team, they have been activating OKAY CONFIANCE, a festival of performances / a festival of trust.

Production:
OKAY CONFIANCE
Production et diffusion:
Parallèle - Pôle de production international pour les pratiques émergentes
Coproduction:
Arsenic – Centre d’art scénique contemporain | Veem House for Performance | BUDA (Kortrijk) et BIT Teatergarasjen dans le cadre de apap - FEMINIST FUTURES, un projet de coopération du programme Europe Créative de l’Union Européenne | Antistatic Festival / Brain Store Project Foundation | Workshop Fundation dans le cadre du projet européen Life Long Burning
Soutien:
Département des Bouches-du-Rhône | Friche la Belle de Mai

You can watch photos and videos from La Caresse du Coma ft. COACH.
You can watch photos and videos from La Caresse du Coma ft. PIRATE.
You can watch archives photos and videos from La Caresse du Coma ft. ANGE 92Kcal.
You can watch the videos and the poems made by the character ANGE 92Kcal which are called CHIICHA.
[chiicha_1]
[chiicha_3]
[chiicha_4].
You can also listen to Loto Retina’s latest album.

“Born in Minas Gerais, Luiz Augusto Barbose (known as Luiz de Abreu) discovered dance in the 1960s through the rituals of the Afro-Brazilian Umbanda religion.
The choreographer-performer is a graduate of the Angel Vianna School of Contemporary Dance in Rio de Janeiro, and holds a master’s degree from the University of Uberlândia in Minas Gerais. Mainly focused on exploring the stereotypes related to the black body, his work has been shown in France, Germany, Portugal, Croatia, Cuba, Spain and Brazil, where he lives and works. His piece O Samba do Crioulo Doido is part of the Centre Pompidou’s video dance collection.”

Executive production :
CN D Centre national de la danse
Co-production :
Centre chorégraphique national d’Orléans, Charleroi Danse, Teatro Municipal do Porto
Residency :
Casa Charriot, Espaço Xisto Bahia, Casa Rosada
O Samba do Crioulo Doido was initialy created in 2004, during the program Rumos Itaú Cultural.

You can watch a video excerpt of O Samba do Crioulo Doido

Patric Chiha is an Austrian filmmaker of Hungarian and Lebanese origin, born in 1975 in Vienna. After studying fashion design at ESAA Duperré (Paris) and editing at INSAS (Brussels), he directed several short and medium-length films and documentaries (including HOME, WHERE DOES THE HEAD OF PRISON FOUND? and THE MESSIERS) selected in numerous festivals. In 2009, he directed his first feature film, DOMAINE, with Béatrice Dalle, selected at the Venice Film Festival. This was followed by BOYS LIKE US (2014) and the documentaries BROTHERS OF THE NIGHT (2016) and SI C’ÉTAIT DE L’AMOUR (2019), both selected at the Berlinale. He is currently working on his next feature film, THE BEAST IN THE JUNGLE.

Born in 1970 in Paris, of Algerian parents, Kader Attia spent his childhood between the Parisian suburbs and the Bab el Oued district in Algiers. He uses this experience of living between the two shores of the Mediterranean as a starting point for an artistic practice that questions the aesthetics and ethics of different cultures. His poetic and symbolic approach explores the profound repercussions of modern Western cultural hegemony and colonialism on extra-Western cultures, between Tradition and Modernity, and creates a genealogy of the contemporary world and the relations that are currently being played out between the West and extra-Western countries. For several years now, his research has focused on the concept of Reparation as a constant in human nature, which has always been seen in the opposite way by modern Western thought and extra-Western traditional thought. From Culture to Nature, from gender to architecture, from science to philosophy, every system of life is a process of infinite reparation.

With the support of Institut Français and l’Ambassade Française en Belgique

You can watch The Body’s Legacies Pt. 2: The Postcolonial Body.
You can also visit Kader Attia’s website.

Teresa Silva is a portuguese artist, working both as a choreographer and dancer. She develops her work since 2008, making collaborations with national and international artists, moving mainly between Portugal, France and Italy. The common denominators of her pieces are the reflection about time, the relationship between figure and background and the use of scenography as a choreographic matter. She highlights the co-creations with Sara Anjo, Oracle, Filipe Pereira,New Creation and What remains of what has passed and Elizabete Francisca L’étonnement ne s’attend pas. As a dancer, she has worked namely with Loïc Touzé, Marco d’Agostin, Liz Santoro & Pierre Godard, Tânia Carvalho and Sofia Dias & Vítor Roriz.

David Marques is a performer and choreographer. As a performer he worked with Loïc Touzé, Francisco Camacho, Filipa Francisco, Lucie Tumova, Tiago Guedes, David Wampach, Raquel Castro, Tiago Vieira & Emily Wardill. He developed with Ido Feder Bête de Scène/Images de Bêtes/THE POWERS THAT B and with Tiago Cadete Apagão. Mistério da Cultura won the SPA Best Choreography Award.

Jean-Baptiste Veyret-Logerias has been singing since he was a child and started dancing when he was studying linguistics at the university. He is a vocal coach and has directed the vocal experiments on many projects. He followed the Essais program at CNDC in Angers (2005-2006) and he graduated in Perceptive and Somatic Psychoeducation/method Danis Bois (2015).

Sabine Macher is a performer, writer, photographer. Her work is triggered by observation, description as well as attracted to immanence and its forms. She has worked with Georges Appaix, Laurent Pichaud, Eleonore Didier, Mickaël Phélippeau, Xavier Le Roy, João Martins, Ana Rita Teodoro, Robert Cantarella, Daniel Jeanneteau, Tino Sehgal.

Production: Agência 25
Co-production: Casa da Dança
Support: Fundação Calouste Gulbenkian, República Portuguesa – Cultura | DGARTES - Direção-Geral das Artes et More Than This dans le cadre du Programme Europe Créative
Residencies: Casa da Dança, DeVIR / CAPa, O Espaço do Tempo, Estúdios Victor Córdon, Materiais Diversos in partnership with Grand Studio, Parallèle and Short Theatre in the project context More Than This
Thanks to: Margarida Bettencourt, João da Cunha Ferreira, Álvaro Guilherme, Pedro Cal, Margarida Mendes, Léa Bosshard and Bruno Faucher for their availability and sharing in our meetings. Centrale Fies et Maria Ferreira Silva for their availability and sharing in our meetings.

The Enjoy the Weather residences are part of the European project More Than This, supported by the Creative Europe Program and by the Parallèle and Short Theater structures

You can visit Teresa Silva’s website.
You can also visit David Marques’s website.
You can visit Jean-Baptiste Veyret-Logerias website.